Posted by: bschutzgruber | July 28, 2024

Springing into Sprang

Back in 2016 I attended the Handweavers Guild of America biennial International Fiber Conference Convergence® in Milwaukee Wisconsin. It was here I saw Sprang for the first time. Carol James made an amazing pair of sprang ‘trousers’ which were part of the fashion show. I was intrigued and bought her book Sprang Unsprung to add to my fiber techniques library .

2016ConvergenceSprang       IMG_8164

I was nudged by Sprang again in February 2023 when Andrew Johnson gave a Sprang workshop for members of the Online Guild of the Association of the Guilds of Weavers, Spinners and Dyers. 

OLG_Sprang

The good news is my interest in Sprang was rekindled. The bad news…although Andrew’s explanations and Carol’s book are well written I realized that for me to learn this very spatially oriented technique I need to take an in-person workshop.

This year Convergence® was held in Wichita Kansas July 11-17, 2024.

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I was already attending the National Storytelling Network conference “Together Again” (our first in-person conference since Covid) in Seattle from July 11-14 and would not be able to attend the main events but as I skimmed the offerings for the end of Convergence® I saw that a Sprang workshop with Carol James was being offered from July 15-17!! 

In the afternoon Carol gave an excellent PowerPoint talk of the history of Sprang from ancient Greek, Roman, Egyptian, pre-Columbian North & South American cultures to Medieval Europe into the Renaissance and beyond. Sprang military sashes were worn well into the 18th century. Major-General Edward Braddock, who lay dying on the battlefield during the French and Indian War, gave his military sash to a young George Washington.

Posted by: bschutzgruber | June 15, 2024

Playing with Prefelts

Michigan League of Handweavers held their annual set of workshops once again at Hope College in Holland, Michigan. The campus has fabulous range of old and new buildings which I have always found inspiring for design ideas. Spending 3 uninterrupted days surrounded by creative people learning new fiber techniques is my happy place!

Six workshops were offered this year:
–Beyond Rep Weave, exploring Rep Weave and its new variations with Lucienne Coifman
–The Art of Transparency with Laura Viada
–Double Rainbow with Jennifer Moore
–A Tapestry Weaver’s Tool Kit with Brenda Osborn
–Unlocking the Mystery of Block Weaves and Profile Drafting with Jill Staubitz
–Surface Design & Dimension Using Prefelts with Kathy Forzley

I signed up for Surface Design & Dimension Using Prefelts with Kathy Forzley.
“Take the mystery (and the guilt!) out of using prefelts to create surface design & dimension on felt. This wet felting class focuses on surface design techniques using handmade and commercial prefelts, partial felts, nuno prefelts and small felted pieces to create patterns and textural designs on a felt surface.”

Posted by: bschutzgruber | May 30, 2024

Couture Cartography – The Finale


The theme for the May meeting of the Ann Arbor Fiberarts Guild  was “Celebrating Member Fiber Explorations”. This is our final meeting of the season and m
embers are invited to share fiber art projects they’ve been working on all year, and workshop participants are welcome to show their unique responses to the Guild workshops they attended. This was my chance to actually wear the dress so I packed up the collection for the show & tell.


Besides myself the November 2023 virtual workshop with UK paper artist
Jennifer Collier [see March 2024 blog] inspired 2 other members to create full size wearable garments. We had a great runway show with Trish Ritchie wearing her kitchen apron made out of pages from Cooking Light Magazine and Carolyn Michaels wearing the pinafore apron Helen Welford made using paper grocery bags. 

Posted by: bschutzgruber | April 16, 2024

Couture Cartography Continued


Having finished my dress
Couture Cartography [see March 2024 blog] for the Ann Arbor Fiberarts Guild exhibit at the Village Theater in Canton Michigan the next step was to make something to wear at the opening reception.

My first idea was the pattern I used to make a vest after making a heavier felt with metallic fabric imbedded –   Cutting Line Designs pattern #12214 Light & Shadow.  I knew the cowl would be a challenge but thought the paper would lay smoothly for the body.

Regrettably this did not work with paper and getting it on/off was a problem. On to the next idea – try Pattern #1028 Artist Vest by Dana Marie Design, Co.  – the pattern I used to make my Surround Sound Vest  [see July 2013 blog].

Posted by: bschutzgruber | March 7, 2024

Couture Cartography

In 2015 the Ann Arbor Fiberarts Guild held a Recycled and Repurposed Runway challenge. I created a hat and purse out of maps using basket weaving techniques.  [see March 2015 blog Cartography Chic]


In November 2023 AAFG offered a virtual workshop with UK paper artist
Jennifer Collier to ‘create a fashionable, small paper dress from ordinary office supplies and recycled materials easily source at home.’  I’ve been sewing garments since high school and the sewing concepts are the same… BUT working with paper is NOT the same as working with fabric! Jennifer guided us through several exercises  and then we moved on to design and create our own paper dress using her 6 in x 8.5 in/15.25 cm x 21.5 cm template as the starting dress pattern.

I found a great article from the Victoria and Albert Museum about paper dresses being a fashion item from 1966-1968. “The perfect expression of fashion’s own fickleness, these two-dimensional shift dresses were cheap and ‘disposable’ – designed to be worn only once or twice – and proved ideal vehicles for the bold, graphic prints that had become so popular during the decade.”

 

The dress along with the hat and purse was on display at the Village Theater in Canton Michigan the month of April 2024 as part of the Ann Arbor Fiberarts Guild exhibit. 

This project was challenging and pushed my creativity and problem solving abilities. Though I have no plans to make another dress out of maps in the near future I made  vest from maps to wear at the artist reception.

Posted by: bschutzgruber | January 18, 2024

Bits and Pieces


The Ann Arbor Fiberarts Guild kicked off the new year with a workshop by Thom Atkins called ‘Scrappy Improvisations’. Thom’s an amazing quilter who plays with fabric scraps to test new ideas and create new fabric. 

Posted by: bschutzgruber | December 31, 2023

That’s A Wrap…

~~Fabulous workshops~~
Martha Town (Cell Weave Structure)
 Martina Celerin (Dimensional Tapestry Weaving)
 Sarah Waters (Wet Felting Surface Design)
 Jennifer Collier (Paper Dress).
~~Conference and Summer School~~
Michigan League of Handweavers
Association of Guilds of Weavers, Spinners and Dyers
~~Exhibits~~
Ann Arbor Fiberarts Guild:

Village Theater
Power Center for the Performing Arts
Gallery 100 at Silver Maples of Chelsea
Pittsfield Historical Society:
Fiber Exhibit at the Sutherland Wilson Farmstead
~Demonstrating Weaving & Felting~~
Historic Cobblestone Farm
Gordon Hall Days
AAFAX-Ann Arbor Fiber Art Expo

the

Posted by: bschutzgruber | October 31, 2023

Traveling Between Worlds

Thanks to Zoom I spent an evening with the Peninsula Weavers & Spinners Guild in Port Townsend, Washington presenting Tales from the Weaving Room which explores the connection between the skill, tools and often magical looking processes developed to make cloth and how they are reflected in the stories women told each other as they worked throughout the year to clothe their families and communities. 

The Ann Arbor Fiberarts Guild  is back in the lobby of the Power Center for the Performing Arts from October 13th through December 10th. My felt piece Confetti is part of the exhibit. 


Presenting my workshop Painting with Wool for the fall term of
Elderwise Learning gave me the opportunity to spent several hours with a small group of adults teaching the basics of wet felting and helping them create small pieces of artwork.

I had a great time being interviewed for a local talk show Celebrate Michigan which highlights the people, resources and activities that make Michigan a great state. The show is part of Madonna University’s Broadcast & Cinema Arts Program and is recorded at the TV studio on campus. It is overseen by industry  professionals giving students real world experience as producers, directors, writers, along with lighting, sound and camera work. The student producers, director and crew were great and host Chris Benson made me feel at ease. We talked about storytelling, fiber arts and I told a story. After we finished the taping several tied on the felt mask and the hat woven from National Geographic maps.

 

As October comes to a close I shared the stage with fellow storytellers Jean Bolley, Jennifer Pahl Otto, Jeff Doyle, Mike Cox, Robin Nott and Larry Castleberry for the annual Scary Stories Festival at the Howell Opera House to raise funds for the eventual restoration. The Opera House built in 1881 and has sat frozen in time since 1925. This is my favorite venue for telling creepy, spine tingling tales.

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Posted by: bschutzgruber | September 19, 2023

August Adventures Abroad

The Association of Guilds of Weavers, Spinners and Dyers held its biennial summer school this year at Harper Adams University near Newport, Shropshire England. I arrived a few day early with fellow Ann Arbor Fiberarts Guild members Helen Welford and Laurie Jones to spend a few days in Shrewbury and the surrounding area prior to the start of Summer School.


One of our day trips was to Powis Castle and Gardens to see the exhibit by Kaffe Fassett, a fiber artist best known for his colorful designs in the decorative arts.

Another day trip was to Coventry to visit the memorial of the ruined Cathedral Church of St. Michael. After the AGWSD Summer School in 2019, Helen created a felt wall hanging depicting the scorched structure with a field of poppies in the forefront as a way to honor those who died in that attack.
During WWII the most severe raid, which the Luftwaffe code-named ‘Moonlight Sonata’, was on the night of November 14, 1940. An estimated 568 people were killed and 4,300 homes destroyed, along with St Michael’s Cathedral. A conscious and collective decision was taken to build a new cathedral and to preserve the ruins as a constant reminder of conflict, the need for reconciliation, and the enduring search for peace.



Day 1 –
Harper Adams University is an Agricultural University that supports local producers and farmers, is passionate about sustainability and the meat served in the dinning hall comes from the University’s farm where possible. Here we saw plenty of AG humor: a 6 foot pair of welly boots and building names like The Welly Inn (student bar), Feed Store (groceries), Graze Cafe (coffee shop) and The Barn (student night club).

 

This year 17 courses were offered with 280 participants attending. After gathering for general information and announcements we all headed off to our course workrooms. My course was Wet Felting and Surface Design with Sarah Waters. Sarah outlined the activities for the week ahead and had plenty of examples for us to look at and touch.





Evening session – a lecture by
Teresinha Roberts The Silk Route. This was a fascinating talk on silk worms, the production of silk fabric and the silk trade over the centuries.


Evening session – another fascinating talk – The Emergence of the Gored Tunic in the First Millennium by Sarah Thursfield.



Posted by: bschutzgruber | July 27, 2023

Weaving on Looms from the past

I’ve been the volunteer resident weaver at historic Cobblestone Farm in Ann Arbor, Michigan since 2015.

The age of our Union Loom has not been documented but by the wear & tear it could easily be 100 years old or even older. Union Loom Works produced rug looms from 1880-1940 and the basic design did not change during that time.

I enjoy weaving on the Union Loom – though at times she’s a bit quirky and temperamental. [See February 2016 blog post Weaving at Cobblestone Farm ]


Ann Arbor Fiberarts Guild member Susan McDowell has been working to get a loom she and her husband Steve acquired in 2021 back to “weave-ability” at another historic farm in the area – the Sutherland-Wilson Farmstead.

The farm has a number of outbuildings: carriage, ice, hog and pump houses, a wood shed and barn.

The barn has a variety of displays and this is where the loom is being assembled.

This is a countermarch loom which is much larger and more complicated than Cobblestone’s Union Loom. Countermarch looms are known for their clean, large shed created by harnesses moving up and down with each press of a treadle. They have great flexibility and can be used for rugs and heavier household items such as blankets and floor runners as well as finer fabrics for home decor and clothing.

Sue and Steve have had their work cut out for them. The loom had been in storage for 50 years and there is no manual to know if all the parts were even still there. It has a maker’s mark on the cross beam Made Oct 15, 1941 AJB and resembles a Cranbrook/Bexell loom but there have been modifications. Other AAFG guild members have been helping to figure out how to get all the parts to work.

Great progress has been made this summer
and Sue is getting ready to actually start weaving!

The Pittsfield Township Historical Society

hopes the loom will become a catalyst
for future demonstrations and related farm-based fiber skills
such as dyeing, spinning, and felting.

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Barbara Schutzgruber - Storyteller & Weaver

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